Ooh buddy. I won't lie, I did not go into this film with an open mind based on the allegations against Casey Affleck lately and how weirdly dismissive it seemed like a lot of people were being about it during his campaign for an acting Oscar [which he won]. But I will say this. I think you could tell from the days of Dawson's Creek that Michelle Williams was really terrific and I think she's only gotten better. She makes so much of the little time she has on screen and during the big confrontation/attempted reconciliation scene towards the end of the film you can feel her heartbreak, she breaks down in such a realistic way that it is truly difficult to watch. Affleck's performance is good too although, like I said, knowing what I know makes it hard to watch unbiased. The direction is also good although I found the storytelling structure to be confusing at first, and for some reason (maybe I'm just an idiot) it took me like 10 minutes into the series of flashbacks in the beginning of the film to understand that Kyle Chandler's character was Affleck's big brother and not his dad. I don't know. I just got very mixed up on who everyone was in relation to everyone else. It becomes obvious later though. Everyone's doing really great work here, basically, yet I don't think this will be a film I'll ever watch again or necessarily recommend to people.
Sunday, July 2, 2017
Watched: Short Term 12
A great little Indie, well-acted and thoughtfully written with near-perfect pacing in storytelling and a very satisfying ending. Plus a perfect introduction of Brie Larson's talent to the world. If her character's personal trauma seems a little too real or over the top or something at times, I think it's handled very realistically in how it comes to light and how she copes with it. She feels like a real person who is dealing with stuff she buried a long time ago, stuff she thought she was finished with. It's definitely relate-able for a lot of viewers, I'm sure. Anyway the rest of the cast gives great, understated performances as well and the whole thing is kind of devastating in an uplifting way, if that makes sense.
Watched: Nixon
I do like this movie a lot but I will argue that there is about 30 minutes right in the middle of it that implies that Nixon was part of the CIA/Communist/Mafia/whoever conspiracy to have Kennedy assassinated. I'm not arguing that theory's veracity, especially not in the context of bombastic and conspiracy-spouting Oliver Stone film, but I will say that if you have seen JFK before it feels very much like a redundant retread. It felt like him seeing an opportunity to slip in his favorite pet conspiracy to another movie and being unable to resist the lure of delving in again. I can't be certain but I would say that the soundtrack even sounds like the one composed for the JFK film during that sequence in the film. So. That's odd.
Otherwise this film is an interesting character study of Nixon. It is bombastic, like I mentioned, because that seems to be par for the course for Stone. It's enjoyable though and despite it being a serious time commitment it really moves enough to feel shorter. Like JFK, there are a ton of 90's "Hey it's that guy!" performances. Some from people who would become stars in their own right later on or move on to TV or maintain character actor status throughout their careers. It's fun watching just for the sport of hey-it's-that-guy spotting. But it's also very well acted. Every time I watch this one the casting of Anthony Hopkins takes me about a half an hour to get into because he looks so unlike Nixon. But his Welsh accent is completely replaced by the trademark growl of all Nixon impersonators and his physical mannerisms are flawless. It's almost like it doesn't matter how similar he looks because he's such an exceptionally good actor or something. Huh. Imagine that.
As for the story, well, I'll just say that lately watching movies about Nixon's rise and fall has brought me a peace of mind and some much-needed catharsis.
Marrying your mom much, Dick?
Richard Gilmore!!
So many that-guy's!
That point where Oliver Stone goes a little wonky with his storytelling. Calm down, buddy.
That point where he can't help but moralize and try to stage a hypothetical conversation with Nixon that you know he's dying to have but can't.
Frasier's brother!
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